Let the ear participate.
A visual description becomes more useful when it can be compared with a sound. Audio still needs an explicit start, a clear stop, and a quiet default.
Following your local clock · Daylight
Warm ivory · charcoal · open sky
Local time, no location access. Choose a stop to keep that atmosphere.
An acoustic field journal
Giving listening a visible form.
A computational atlas of sound, music, listening, and acoustic environments. Its tools connect signals and their visual descriptions without treating a waveform as a substitute for the experience of hearing.
01 / The question
The Sonograph examines signal features; Timbre Space explores acoustic similarity. Together they frame sound as something that can be inspected through several representations, each with its own limits.
This working edition describes the project’s current structure and design questions. It does not claim measured user or business outcomes.
02 / A working study
A synthesized 220 Hz demonstration, started only by pressing Play. This is not a field recording or an analysis of uploaded audio.
220 Hz · low-volume synthesized example · 1.2 seconds
03 / Design rationale
The choices an interface makes visible.
A visual description becomes more useful when it can be compared with a sound. Audio still needs an explicit start, a clear stop, and a quiet default.
A score, recording, acoustic event, and listening experience are not interchangeable. Naming what a view represents is part of making the tool understandable.
04 / Inspect the work